I may be a bit confused as to your example. Let me know if I didn't understand it correctly.....
Whether you have the line set at 15, at 35, or anywhere in between those two levels, that little piece of iron should give the audio response associated with that lower bin. And, the cursor should be in the lower part of the screen. Typically in the lower right (as you said). The bin becomes larger as you raise the line. But the target properties will stay the same. In order to get a target to be in a different bin, you would have to move that line to the other side of where it is now. For example, if there were a target that registered 18/34, and you had the FE line set at 17, the target would provide the audio response associated with that lower bin. However, if you moved the FE line to 19, (I had originally post this as 16, which, as Overvoltage pointed out, is incorrect) and changed nothing else, that same target would provide the audio response associated with one of the bins above the line. Which bin (above the line) would depend on how you had set up the vertical parameters of the four bins. If you had set them as bin 1 = CO 1 - CO 14; bin 2 = CO 15 - CO 25; bin 3 = CO 26 - CO 36; bin 4 = CO 37 - CO 50, then that 18/34 target would give you the audio tone associated with bin 3 (left to right), above the line.
When I am using Combined tones, I set the top of the lower bin at levels relative to the site I am hunting. For example, if I am at an old farm site, I don't come across much modern trash. But I do come across a lot of iron. At these sites, I will drop the FE line of the Combined tones down to 25 or so. It is nothing scientific. Just the setting I've come to appreciate. If I am in a park or yard with lots of modern trash, I move the line up around 18. Again, nothing scientific. But it does help me discern some of the early tin foil type trash by giving it the same low tone as I would get if it were iron. Any target with FE properties 17 and smaller will end up giving me a target tone based on their CO properties. Any of those higher tones get my attention, allowing me to work the coil in an attempt to lock in on the goodies. I set Pattern One as wide open (zero discrimination). I set Pattern two the same way except for having a good amount of discrimination. The discrimination patterns I have built are dependent on types of trash at the sites I am hunting. I hunt in Pattern One, and flip to Pattern two to isolate and confirm the target. If the signal (audio and visual) are the same in both Patterns, and it is something I want to put in the pouch, I dig it up. If, however, I get a "good signal" in the open screen, and the discrimination Pattern shows me that it is a reflective signal from a piece of deeply buried iron, I'll pass it up. I didn't do that for the first few years I used the CTX. But after collecting three or four 5-gallon buckets of old iron, I decided I didn't want anymore. One other thing I would add, when I get a target that I suspect is a reflective signal from deeply buried iron, I flip to PinPoint mode with Target Trace. This allows me to see the "smear" created by the target. And based on my findings.....95% of the time, if the target isn't in the same exact location when pinpointing as it was in one of the detect modes, it is not worth digging. Now, if you use this method, you need to determine what that 5% might be to you. To me....it is seed for the next generation of detectorists. HH Randy